This exhibition is what Kovanda calls 'interior sculptures' of his small apartment. While I would not 100% call this appropriation art, it is still in that category because it is photography of already made, household objects. In the last reading, it was said that Duchamp was informed by the art of photography that was starting to so prominently take over. And I believe that when looking at these images, it's understandable while. They seem to have no point or to be carelessly made, but that also just intrigues the audience even more.
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